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一直作為米(mǐ )路(lù )斯．(⛲)科曼劇(🥇)本鐵(tiě )三角（另一位是帕(😘)培錫(🕸)，也是(shì )(🕰)本片編劇之一(🎗)）成(🆖)員(yuán )(🥈)的艾雲．(🍖)巴薩，當然也(yě )走低(dī )度戲(🌫)劇路線。同是音(🏇)樂家的彼德與卡(kǎ )(🐿)洛老友重(chóng )逢(féng )，生活狀況大不同(tóng )(💆)，你有伴(🛹)侶我(wǒ )有家庭(🕌)，然而都有說(shuō )不出(🍮)的不明朗，唯有以酒(jiǔ )與(🤯)音樂代(dài )替口水。全片推展不問(wèn )(🥁)目的，只在剎那間(jiān )的(de )意圖(tú )，行(háng )行企(㊗)企比(bǐ )起科曼更(📙)義無(✋)反(🐑)顧，卻有(yǒu )(🤸)生活淡如流水的詩意和繆(miù )思，叫觀(🤷)眾聯想(xiǎng )到二十(🕙)年後的伊力(lì )．盧馬。巴(🕐)薩鍾愛(ài )(🚴)音(🧣)樂(lè )(🤖)的(de )程度不下於文字和電(💹)影，古典音樂(🛎)與民間(jiān )音(🦇)樂於全片(piàn )迴轉迴(huí )盪(dàng )，難怪成(🃏)了(le )奇斯洛夫斯基十(💯)大心(xīn )愛電(🙎)影之一。 (📧) 康城(⏲)影展青年評審團獎，美國全國(🍽)影評人協會(📐)特別(bié )獎(jiǎng ) 這(zhè )部1966年的珍品，是捷克新浪(làng )潮短暫生命中最佳(👚)作品(⏺)之一。成名音樂家到小(xiǎo )鎮(😉)探(tàn )訪舊同學，舊(jiù )同學(⏺)是個窮音(yīn )(🈳)樂教師(🍯)，有(🌲)時在(zài )喪禮(lǐ )上吹奏樂曲。平凡的(de )素材在巴素(sù )手裡(lǐ )，變出(chū )風趣復罕見(jiàn )的(de )旋(🗒)律，一部憂鬱(⛎)的喜劇，或灰色喜(xǐ )劇(jù )。 (🦐) (🏁)- Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🐃) Special Award, National Society of Film Critics Awards (💒) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (✔)- Elliott Stein, Village Voice (🎻) Source HKIFF Czech New Wave 2006
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